As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Presiding over the evening was Speranza Scappucci, also making an overdue debut. And then there was Quinn Kelsey. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November Studio: The Metropolitan Opera. Moreover, he started closing in on the other men around him, almost as if ready to strike them. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. (Who struck you? English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. David Frost is music producer and Peter Gelb is executive producer. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Later this season, he sings Lenski in Eugene Onegin at the Met. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. But hes here now and he was definitely worth the wait. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. Genre: Opera. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Jen has worked at KPBS since 2000. His first Gilda! Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. A new 'guide' can help. by Stephi Wild Oct. 25, 2022. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. When he does, out comes a richly human creature . In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek Ei sta sotto ai miei piedi! Rigoletto returns in the spring for five performances May 28-June 11, 2022. As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. camera operator Music Department Additional Crew Bartlett Sher . Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. She is directing the pace and motion of the drama to what she feels is most appropriate. N New Production. . Desperation took over with the subsequent phrases aggressive, accented, and frantic. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. Audience. Verdi's Rigoletto. Please check if you entered the email address correctly. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Speranza Scappucci conducts Bartlett Sher's production. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. For further details on Rigoletto, including casting by date, please click here. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Producer: Don Judd. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Directed for the screen by Gary Halvorson. This video really should have had a fourth example, though. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera They met in 1979 in Rabe's home town of Vancouver, married five years . The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. All performances to. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. The Tony Award-winning director resets the opera's action in 1920s Europe . NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. The Metropolitan Opera. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. duna tal vittoria, che? But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. It took but a moment before she was rushing away down the stairs. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. NYT Critic's Pick. 2010-2023 Bachtrack Ltd. All rights reserved. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Caro nome was a bit of a mixed bag for Feola. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. The announcement was made via the company's social media page and no reason was given for the replacement. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor and bright color palettes that have served him best in Rossini comedies at the Met are also on display. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. . Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. Verdi: Rigoletto: Directed by Gary Halvorson. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. S, la mia figlia! Though her voice is not especially large it carries nicely, especially her plummy chest voice. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . American rags, riches and everything in between. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. . Despite serious initial problems, the opera had a triumphant . It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. The Age - Sat, 19 Feb 2022 . Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. Additional details. desso! Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. Luiz Gazzola Opera Lively. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. More information is available on the official website of the opera house. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. Director: Leo Paur. In the role of Sparafucile, Relyea continued his revival with the company. Met Opera | April 15, 2023. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. Runtime: 210 min. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. 29 des. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) But these emphatic tempi shifts stood out as unrefined for a number of reasons. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. These PDFs do not include cast changes that occurred after the program went to print. However, it included some glaring strange elements that were impossible to ignore. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. or do we focus on Gildas preparations for her sexual encounter with the Duke? And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). Anthony Tommasini is the chief classical music critic. His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. Mozart's Idomeneo. Rigoletto at the Met, Spring Cast May 2, 2013. . in the middle of his career. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Met Opera | December 17, 2022. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. For more information, visit metopera.org. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. This choice also fit in nicely with the coloratura, generating a fluidity throughout. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016).